With a new collection of books recently purchased for our library, including recommendations from members, we invite you to come and read them with us.

Reading matters is a regular reading circle that activates the SOLU library and brings people together to discuss matters connected to our projects and wider programme, in turn feeding them too with new information and operating as an incubator for thoughts and exchange. On occasion the reading circle is hosted by guest hosts who will open up their research and offer an opportunity to think-with others. Welcome to SOLU Space to converse, have discourse and interrelate!

During the Reading matters sessions, the SOLU reference library of the Bioart Society is open for those interested. The library is an important resource for us, our members and different publics to access books and materials from our projects, members, partners and the wider field of art and science. The library is a space dedicated to encountering ideas, discourses and practices, and fosters an environment for critical reflection and discussion. You can find our inventory of books here: https://www.libib.com/u/bioartsociety

The library is open for visitors from 12:00-18:00 on the Reading matters session days, and by appointment. To arrange a visiting appointment during other times, please contact info@bioartsociety.fi

Reading matters: The North Escaping
28 November 2024
18:00-20:00
ONLINE

This Reading Matters session connects with our current The North Escaping: Grasping Transformations exhibition at SOLU Space presenting the works-in-process and material experiments emerging from artists and curators Neal Cahoon, Espen Sommer Eide, Erik Fallgren, Christine Hvidt, Anne Lindgaard Møller, Hilde Methi and Hannah Wiker Wikström The North Escaping residencies at Kilpisjärvi Biological Station during the Spring and Summer of 2024.

Together we will read Astrida Neimanis' and Rachel Loewen Walker’s Weathering: Climate Change and the “Thick Time” of Transcorporeality, a text that connects to some of the themes concepts and practices of The North Escaping project and artists residencies.

"In the dominant “climate change” imaginary, this phenomenon is distant and abstracted from our experiences of weather and the environment in the privileged West. Moreover, climate change discourse is saturated mostly in either neoliberal progress narratives of controlling the future or sustainability narratives of saving the past. Both largely obfuscate our implication therein. This paper proposes a different climate change imaginary. We draw on feminist new materialist theories—in particular those of Stacy Alaimo, Claire Colebrook, and Karen Barad—to describe our relationship to climate change as one of “weathering.” We [Astrida Neimanis & Rachel Loewen Walker] propose the temporal frame of “thick time”—a transcorporeal stretching between present, future, and past—in order to reimagine our bodies as archives of climate and as making future climates possible. In doing so, we can rethink the temporal narratives of climate change discourse and develop a feminist ethos of responsivity toward climatic phenomena. This project reminds us that we are not masters of the climate, nor are we just spatially “in” it. As weather-bodies, we are thick with climatic intra-actions; we are makers of climate-time. Together we are weathering the world."
— Astrida Neimanis and Rachel Loewen Walker.

To receive a copy of the text in advance and Zoom link, please contact yvonne.billimore@bioartsociety.fi by 27th November. The text will also be collectively read aloud at the start of the reading circle.

Reading matters: Dormancy, Reseeding, Resistance.
13 June 2024
18:00-20:00
SOLU Space, Panimokatu 1 (3rd floor), Helsinki

In the third iteration of the Reading Matters, researcher, writer and artist Anastasia (A) Alevtin (Khodyreva) invites you to read and think-feel with Natasha Myers, Alison Faafer, Sara J. Grossman, Jessica J. Lee, Katy Davis, Mara Mills and Rebecca Sanchez, Rowan Lear and Christian Keeve.

The knot of the excerpts from several scholarly texts, incantations, poetry, images and scripts frames their emerging artistic research project tentatively titled Dormancy, Reseeding, Resistance. Supported by The Finnish Institute in the UK and Ireland, the project brings together the expertise and personal experience of transdisciplinary artists, microbiologists, chronically sick bodies and community gardeners who collectively work with seeds, plants, and a concept of dormancy. The knowledges are pulled together and mobilised in light of the inflamed contexts of anti-ableist politics and food insecurity, especially as lived by economically precarious, migrant and disabled people.

In general public perception, dormancy might appear to be a passive process, but a gardener, an artist, a microbiologist or a chronically sick body knows that dormancy is a complex kind of individual and communal activity, as an agentic enactment, as a political project of subversion. Conceptualised this way, dormancy needs careful tending. In collaboration with Light-Harvesting Complex (Vantaa) and Glasgow Seed Library, Dormancy, Reseeding, Resistance emerges as a quiet attempt to learn to put seeds to sleep and work out rituals of awakening and cross-pollination. It strives to learn from seeds (but also bacteria and microbes) how to tend to our (collective) bodies and argue for dormancy as a subversive gesture.

Anastasia (A) Alevtin (Khodyreva) is a researcher, writer & artist whose work scrutinises how dominant Western politics of structural marginalisation are lived and quietly subverted in one’s daily anti-ableist, migratised, and non-binary communities and multispecies kinships. Crip theory, corpo-affectivity of chronic illness in migratised lives and ancestral herbal knowledge are the themes they are thinking about at present. In their artistic practice, they work with text, textile, performance, aesthetic gestures, and collective readings. They are curious to create critical atmospheres of sensing and being, poetics and politics of touch, airy ecologies of multispecies relationships and other intimacies. They whole-heartedly believe in independent publishing.

To receive a copy of the text in advance, please contact yvonne.billimore@bioartsociety.fi by 11th June. The text will also be collectively read aloud at the start of the reading circle. An audio reading of the texts is available here

Photo: Sara Blosseville & Light-harvesting Complex (documentation of « blink blink, says the right eye when I slap my own cheek » exhibition by Lisa Lepistö). Blosseville and Light-harvesting Complex are Khodyreva's partners for Dormancy, Reseeding, Resistance.

Reading matters: Microbial Suicide
2 May 2024
18:00-20:00
SOLU Space, Panimokatu 1 (3rd floor), Helsinki

In the second iteration of the Reading Matters, artist Bartaku invites you to read and think with Astrid Schrader’s essay Microbial Suicide: Towards a Less Anthropocentric Ontology of Life and Death.

Drawing on empirical research into programmed cell death in marine microbes, this article explores how, in their study of microbial death, scientists change not only our understanding of microbial temporality but also reconstruct the relationship between life and death, biological individuality, and assumptions about a natural teleology associated with bounded biological systems and genetic programmes. Reading this research together with a Derridean deconstruction of the limit between humans and other animals with respect to death, this article explores how the deconstruction of individuality from within biology may suggest alternatives to our anthropocentric notion of time and embodiment.

The text frames the conversation, connecting the complex ethical questions raised in the essay with Bartaku's current work, the Koelleven project.

Bartaku hosted a SOLU Dialogues session back in November at SOLU Space. During the evening, he presented his Koelleven project that explores how to attune to the unique microbiota within cooling towers of nuclear power stations. This Reading Matters session should be considered an independent sequel to Bartaku's SOLU Dialogues session, as it is also open for those who did not join in November.

To receive a copy of the text in advance, please contact yvonne.billimore@bioartsociety.fi by 30th April. The text will also be collectively read aloud at the start of the reading circle.

Reading matters: Aeropolis
28 February 2024
18:00-20:00
SOLU Space, Panimokatu 1 (3rd floor), Helsinki

For our first Reading matters session we will read a chapter from Nerea Calvillo’s recently published book Aeropolis: Queering Air in Toxicpolluted Worlds. The book 'immerses us in air’s materiality' and the selected section we will read specifically deals with toxicity and pollution (Chapter: Breathing pollution (and toxicity) p. 78-103). More on the book below.

Aeropolis: Queering Air in Toxicpolluted Worlds by Nerea Calvillo

How do we get to know air? Aeropolis: Queering Air in Toxicpolluted Worlds offers a speculative and interdisciplinary framework to reorient common understandings of air and air pollution as matter 'out there'. Aeropolis contests regimes of managing air which ultimately operate toward upholding dominant modes of world-making that are dependent on forms of exclusion and inequity. Instead, Aeropolis proposes that air is thought of as a city, to center its social, cultural, political, ecological entanglements. Drawing upon feminist technoscience and queer ecological frameworks, Aeropolis moves away from solutions toward a methodology of 'designing-thinking-making' that redirects and connects our understandings of air — as designers, as citizens — with ongoing struggles for just futures.

Moving through a series of design interventions, histories of air, and theoretical coordinates, Aeropolis thinks with air across its many forms — through smog and dust, bodies and breath, pollen and weeds, and from urban design to geopolitics, polluted environments to open data, parks to aerial infrastructures. It insists that we acknowledge the diversity of air and its relation to humans, non-humans, and environments, both physically and affectively. That we become sensible to air by following its unruliness — by living, breathing, seeing, holding, touching, queering airs.

Nerea Calvillo is an architect and researcher; an associate professor at the Centre for Interdisciplinary Methodologies, University of Warwick; and an adjunct associate professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation.

To receive a copy of the text in advance please contact yvonne.billimore@bioartsociety.fi before the 27th February. The text will also be collectively read aloud at the start of the reading circle.